Freehold

A website for your museum

A small museum website has one job: help the people already searching for your district's stories find them, and find you. This page is our honest offer to the people who run one, usually volunteers, often a society that has kept a place's history safe for decades. A proper website, built for you, for a one-off price, owned by the museum outright, with nothing monthly behind it, ever.

Last updated July 2026

The front door

What you hold is exactly what people are searching for

Most museums in New Zealand have no paid staff at all. They're run by volunteers, often through a historical society, and the website is either years old, or a Facebook page, or nothing. Meanwhile the thing in your building is the thing people type into a search box: family names, a farm, a wreck, a flood, a mill, a school that closed before anyone living remembers it.

A teacher planning a local history unit, a family historian chasing a name across two generations, a visitor deciding which small town to stop in on a long drive: they all begin the same way. If your stories only exist on a shelf, in a card index, or in a catalogue that nothing links to, they're gold buried under your own floor.

A website holds the answers still, where Google and the new AI search tools can find them: what you have, when the doors are open, and how to ask a question. It also reads properly to the people who fund you. A community trust or a heritage grants committee looking you up finds a front door, not a feed, and that quiet impression is doing work in the background of every application you make.

And the honest other side: if you already have a current site, your hours are easy to find, and enquiries arrive steadily, you may not need us at all. We'd rather say that here than waste a volunteer's evening.

The shape of it

What a small museum website actually needs

Not much, done well. When you're open, one glance from the top of the page, including the honest version: two afternoons a week, summer only, or by arrangement. Short hours aren't a weakness to bury, they're the single most useful fact you publish, and they belong somewhere search engines can read them rather than only on the sign at the gate. Then where you are, where to park, and whether there are steps. What it costs to come in, even if the answer is the box by the door.

After that, perhaps ten objects or stories told properly, with photographs, each on a page that can be found on its own. Not the whole collection: the things you would show a visitor first. A link to your catalogue if you keep one online, working exactly as it does now. A plain way to offer an object or ask a research question. And a page for the society itself: meetings, membership, the newsletter, how someone joins the roster.

What it doesn't need: a rebuilt catalogue, a login system, a monthly platform plan, or anything a future committee will be afraid to touch. We build small, fast, plain sites on purpose. They cost nothing to keep online, which is why hosting is free, and they keep working whether or not anyone logs into anything.

Built to outlast the committee

The changeover problem, solved by ownership

Every volunteer-run society knows the story: the website was set up years ago by a member who has since moved away or passed on, the login went with them, the billing was on a card that's long cancelled, and now nobody can change the winter hours. That isn't a technology failure. It's an ownership failure, and it's the reason so many small museums are stuck with a site they can't touch.

Ours is built the other way. The domain is registered in the museum's or the society's name, never ours. Hosting is free, so there's no subscription to lapse when the treasurer changes. The whole site can be exported free at any time, so you're never locked to us either. Handover to a new committee is one line in the handover folder: “the website, changes by email to the studio, $20 a batch.”

Making it yours

Finished when it opens, and deeper every year after

The honest version first. On the day it goes live, the site is complete: every page written, every answer in place, nothing held back for a later stage. If you never send us another word, it carries on doing its job for as long as you keep the domain, and that costs you nothing further. Plenty of good sites are finished the day they open and never need to become anything else.

It can also grow, at whatever pace a volunteer committee actually has, because the studio stays behind it. You email us what's new, we draft it and send it back for checking, you tell us it's right, and up it goes: $20 for a batch of edits, and small changes can usually be done quickly. And if something on the site is wrong, we fix it for nothing, because that is not a change, that is us not having got it right. Told over years, that turns into something a one-off build never becomes. A few more object stories a year, until the best of what you hold is findable by the people already searching for it. A page of its own when an exhibition opens. A research enquiry answered once, properly, then published so the next person who asks finds the answer already waiting. The society's newsletters gathered into an archive that grows an issue at a time.

Every build can also include a site assistant, which answers a visitor's questions from the site's own words and nothing else, so someone reading late at night gets the answer you would have given them at the door. It's included in the price and switched on only if you want it. All of it stays yours either way: the domain in the museum's name, nothing monthly, and a free export whenever you want it.

The price, published

One flat price, and volunteer-run is what the community rate is for

Our standard price is $800, once. The community rate is $400, for organisations where $800 would genuinely be a stretch, and a volunteer-run museum or historical society is exactly the shape it was written for. Same site, same care, same ownership at either rate, by rule.

$400the community rate, once, and then nothing monthly, ever · standard rate $800

The only cost we don't carry: your domain name, about $65 a year, because it must be registered in the museum's name, not ours. That's the deed. Changes later are $20 for a batch of edits, whenever you actually want one, and a year where nothing changes costs nothing. Whether the community rate applies is a one-line email: how we make that call.

Common questions

Asked and answered, plainly

The question The answer
“Our collection is catalogued on eHive. Does that stay?” AnswerIt stays, and the site links straight to it. If your catalogue runs on eHive, or on anything else that works, keep cataloguing exactly where you do now. The website's job is the public front: what you hold, when you're open, and how to ask a question. We never replace a system that's working, and we'd far rather send people into your catalogue than build a second one beside it.
“We're only open Sunday afternoons, or by appointment. Is a website worth it?” AnswerEspecially then. Short hours are the reason, not the objection: the thing a visitor most needs to know is whether the door will be open when they arrive, and by-appointment only works if people can find the right person to ask. Hours written plainly on your own site can be read by search engines and by the newer AI answer tools, so the answer travels a lot further than the sign on the gate.
“The member who built our last website has moved on and nobody can get in.” AnswerThat story is common, and it isn't really a technology problem, it's an ownership problem. Ours is built the other way round: the domain is registered in the museum's name, hosting is free so there's no card to expire when a treasurer steps down, and the whole site can be exported free at any time. Changing something later is an email to us, not a password hunt.
“Which price would a small museum pay?” AnswerThe test is one question: could your organisation comfortably pay $800? Most small museums here run on volunteers, grants and the donation box, and that's exactly the situation our $400 community rate exists for. Tell us your situation in a sentence and we'll give you a straight answer before anything starts.
“We have decades of photographs, minute books and stories. Where would we even start?” AnswerSmall, and the drafting is our job, not yours. A good first site isn't the archive, it's the front door: your hours, your place, and perhaps ten objects or stories told properly, each on a page that can be found on its own. The rest can follow later, or stay in the catalogue where it already lives. We write the first draft and you correct it, which is much easier than facing a blank page.
Keep reading

The sums behind the price

What the whole market charges, honestly mapped: what a website really costs in New Zealand. Why owning beats renting for an organisation that intends to be here in twenty years: owning vs renting your website. Whether the $400 rate applies to you: who qualifies for the community rate. The whole process from first email to handover: how it works.

Run a small museum?

Tell us about it in a sentence

Where you are, when you're open, and what you have now, even if it's just a page on a directory. We'll be straight about whether we can help and what it would cost.

Email us any time: studio@freehold.org.nz. Every message comes straight to us, and we reply to all of them.
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